Situation Aesthetics: The Work of Michael Asher

Situation AestheticsThe Work of Michael AsherKirsi PeltomakiMichael Asher doesn't make typical installations. Instead, he extracts his art from the institutions in which it is shown, culling it from collections, histories, or museums' own walls. Since the late 1960s, Asher has been creating situations that have not only taught us about the conditions and contexts of contemporary art, but have worked to define itIn Situation Aesthetics, Kirsi Peltomaki examines Asher's practice by analyzing the social situations that the artist constructs in his work for viewers, participants, and institutional representatives (including gallery directors, curators, and other museum staff members). Drawing on art criticism, the reports of viewers and participants in Asher's projects, and the artist's own archives, Peltomaki offers a comprehensive account of Asher's work over the past four decades. Because of the intensely site-specific nature of this work, as well as the artist's refusal to reconstruct past works or mount retrospectives, many of the projects Peltomaki discusses are described here for the first timeAsher's work has commonly been associated with minimalism, conceptual art, and most frequently, institutional critique. Peltomaki takes a different perspective, focusing on the work's social dimension. Because Asher's installations typically address the given context of their exhibition directly and exclusively, they cease to exist after the exhibitions end, leaving behind few material traces. By emphasizing the social and psychological sites of art rather than the production of autonomous art objects, Peltomaki argues, Asher constructs experientially complex situations that profoundly affect those who encounter them, bringing about both personal and institutional transformationKirsi Peltomaki is Assistant Professor of Art History at Oregon State University"Peltomaki's book is balanced, insightful, and intelligent, and it should place Asher at the center of debates about strategies and directions of modern and contemporary art"---Alexander Alberro, author of Conceptual Art and the Politics of Publicity"Situation Aesthetics presents a nearly comprehensive study of Michael Asher's work with a special emphasis on its social formations and reception. It avoids conventional biographism by offering few facts of the art ist's life and placing its attention on new information about his work process and proposals, which has the effect of offering an intimate view into his thoughts"---Robert Thill, arthistoricum.net