Sowing Empire: Landscape And Colonization

Planting and transplanting, seeding and reshapinglandscaping practices that emerged in the eighteenth centuryare inextricable from the contested terrain of empire within which they operated. From the plantations of the nabobs to the island gardens of narrative fiction, from William Beckfords estate at Fonthill to Marie Antoinettes ornamented farm, Sowing Empire considers imperial relandscapingits patriarchal organization, heterosexual reproduction, and slaveryand how it contributed to the construction of imperial power. At the same time, the book shows how these picturesque landscapes and sugar plantations contained within them the seeds of resistancehow, for instance, slave gardens and the Afro-Caribbean practice of Vodou threatened authority and created new possibilities for once again transforming the landscape.In an ambitious work of wide-ranging literary, visual, and historical allusion, Jill H. Casid examines how landscaping functioned in an imperial mode that defined and remade the heartlands of nations as well as the contact zones and colonial peripheries in the West and East Indies. Revealing the colonial landscape as far more than an agricultural systemas a means of regulating national, sexual, and gender identitiesCasid also traces how the circulation of plants and hybridity influenced agriculture and landscaping on European soil and how colonial contacts materially shaped what we take as European.Utilizing a wide range of both visual and written sourcesmaps, literature, and travel writingthis book is interdisciplinary in its methodology and in its scope. Sowing Empire explores how postcolonial and queer studies can alter art history and visual studies and, in turn, what close attention to the visual may offer to both postcolonial theorizing and historically and materially based colonial cultural studies.Jill H. Casid is assistant professor of art history and part of the developing transdisciplinary program in visual culture studies at the University of Wisconsin, Madison.